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Generative A.I. Destroys a Building in Its Netflix Debut
//science-technology.news-articles.net/content/2 .. -i-destroys-a-building-in-its-netflix-debut.html
Published in Science and Technology on Friday, July 18th 2025 at 13:44 GMT by The New York Times🞛 This publication is a summary or evaluation of another publication 🞛 This publication contains editorial commentary or bias from the source
The streaming company said it used the technology onscreen for the first time in an Argentine science fiction show.
Netflix's Bold Leap: AI Takes Center Stage in 'The Eternaut' Adaptation
In a move that has sent ripples through the entertainment industry, Netflix has unveiled plans for a groundbreaking adaptation of the iconic Argentine comic book series "The Eternaut," with artificial intelligence playing a pivotal role in its production. The streaming giant's announcement, detailed in a recent press release and elaborated upon in exclusive interviews, positions this project as a test case for AI's integration into high-stakes storytelling. Set against the backdrop of a dystopian alien invasion, the series promises to blend classic sci-fi elements with cutting-edge technology, but it has already sparked debates about creativity, ethics, and the future of human artistry in Hollywood.
"The Eternaut," originally created by writer Héctor Germán Oesterheld and artist Francisco Solano López, first appeared in serialized form in the Argentine magazine Hora Cero from 1957 to 1959. The story follows Juan Salvo, a tinkerer and family man in Buenos Aires, who becomes a reluctant hero after a deadly snowfall—revealed to be an alien weapon—wipes out much of humanity. Survivors band together in makeshift suits to resist the invaders, known as "Them," in a narrative rich with themes of resistance, colonialism, and authoritarianism. Oesterheld, who was disappeared during Argentina's Dirty War in the 1970s, infused the tale with political allegory, drawing parallels to real-world oppression. The comic has since become a cultural touchstone in Latin America, inspiring sequels, graphic novels, and even a planned but unproduced film by director Lucrecia Martel in the 2010s.
Netflix's adaptation, slated for release in late 2026, marks the first major screen version of this beloved property. Directed by Argentine filmmaker Bruno Stagnaro, known for his work on "Okupas" and "El Marginal," the series will span eight episodes and feature a bilingual cast, including Ricardo Darín as Juan Salvo and a mix of emerging talents from across Latin America. But what sets this project apart is Netflix's ambitious use of AI, which extends far beyond typical post-production tools. According to sources close to the production, AI algorithms are being employed to generate initial storyboards, visualize complex alien designs, and even assist in scripting dialogue variations. This isn't mere enhancement; it's a core creative engine.
In an exclusive interview, Netflix's chief content officer, Bela Bajaria, explained the rationale: "We're at a crossroads where technology can democratize storytelling. 'The Eternaut' is about human ingenuity in the face of existential threats—fittingly, AI helps us push boundaries that budget and time constraints would otherwise limit." Bajaria highlighted how AI tools, developed in partnership with tech firms like OpenAI and custom startups, can simulate environmental effects, such as the comic's eerie, luminescent snow, with unprecedented realism. For instance, generative AI models trained on Solano López's original artwork are creating dynamic backgrounds that evolve in real-time during filming, reducing the need for extensive CGI teams.
The production process begins with human writers crafting the core narrative, drawing faithfully from Oesterheld's text while updating it for contemporary audiences. Themes of climate change and global inequality are amplified, with the alien invasion serving as a metaphor for modern crises like pandemics and geopolitical tensions. Once the script is locked, AI steps in to iterate on scenes. "It's like having an infinite brainstorming partner," said showrunner Lucía Puenzo, who co-wrote the series. "We input parameters—say, a chase sequence through a ruined Buenos Aires—and the AI generates dozens of variations, complete with camera angles and lighting suggestions. We refine from there."
This integration has not been without controversy. Critics argue that relying on AI risks diluting the human essence that made "The Eternaut" a masterpiece. The comic's legacy is deeply tied to Oesterheld's personal struggles; he revised the story in the 1970s to more explicitly critique dictatorship, a boldness that led to his tragic fate. Fans and scholars worry that AI-generated elements could sanitize or oversimplify these nuances. "Oesterheld poured his soul into this work," noted comics historian Pablo Turnes in a statement to Argentine media. "Can a machine replicate that raw emotion? Or are we commodifying a story born from real resistance?"
Industry unions have also raised alarms. The Writers Guild of America (WGA) and Screen Actors Guild (SAG-AFTRA), fresh off strikes that addressed AI protections, are monitoring the project closely. "This could set a precedent," said a WGA representative. "If AI handles creative tasks, what's left for writers and artists? We're pushing for transparency and fair compensation." Netflix counters that AI is a tool, not a replacement, with human oversight at every stage. In fact, the company has committed to crediting AI contributions separately, a novel approach that could influence future guidelines.
Visually, the series aims to honor the comic's stark, black-and-white aesthetic while incorporating vibrant, otherworldly hues for the aliens. AI-assisted designs have produced creatures that morph based on narrative needs—tentacled horrors that adapt to Buenos Aires' urban landscape, blending seamlessly with landmarks like the Obelisco. Practical effects will ground the spectacle, with actors donning updated versions of the comic's iconic survival suits, crafted from sustainable materials to echo the story's environmental themes.
Beyond production, Netflix is leveraging AI for marketing and audience engagement. Personalized trailers, generated via user data, will tailor previews to individual preferences—emphasizing action for some, political intrigue for others. This hyper-targeted approach aligns with Netflix's data-driven strategy, but it raises privacy concerns. Ethicists like Timnit Gebru have critiqued such uses, warning of algorithmic biases that could misrepresent diverse stories like "The Eternaut," which centers Latin American voices.
Despite the debates, excitement is building. Early concept art, shared at a San Diego Comic-Con panel, has garnered praise for its fidelity to the source material. Darín, in a promotional video, reflected on the role: "Juan Salvo is everyman fighting the impossible. With AI, we're making the impossible real, but it's our humanity that will shine through." Co-star Carla Peterson, playing Salvo's wife, added that the technology allowed for more immersive rehearsals, using AI simulations to practice scenes in virtual environments.
The project's international scope is noteworthy. Filmed primarily in Buenos Aires with additional shoots in Uruguay and Spain, it represents Netflix's push into Latin American content, following successes like "Narcos" and "Money Heist." By adapting a regional classic with global tech, Netflix aims to bridge cultural divides, potentially introducing "The Eternaut" to millions unfamiliar with its origins.
As production ramps up, "The Eternaut" stands as a microcosm of broader industry shifts. AI's role here could herald a new era where machines augment creativity, or it might underscore the irreplaceable value of human insight. Oesterheld's tale, after all, is about resilience against overwhelming forces—much like the artists navigating this technological invasion. Whether Netflix's gamble pays off will be judged by viewers, but one thing is clear: in the world of "The Eternaut," survival demands adaptation, and Hollywood is no exception.
This adaptation also prompts reflection on intellectual property in the AI age. Oesterheld's estate, managed by his grandchildren, has endorsed the project, ensuring royalties and creative input. Yet, questions linger about ownership of AI-generated content. Legal experts predict that cases like this could shape copyright laws, determining if algorithms can "create" or merely assist.
In interviews with crew members, the enthusiasm is palpable. Visual effects supervisor María José López described AI as a "force multiplier," enabling smaller teams to achieve blockbuster-scale visuals on a streaming budget. "We're not cutting jobs; we're expanding possibilities," she said. Still, some anonymous sources report unease, with traditional artists feeling sidelined.
Ultimately, Netflix's "The Eternaut" embodies the tension between innovation and tradition. As the series hurtles toward its premiere, it invites us to ponder: In a story about humanity's fight against the unknown, can AI be an ally, or is it the invader we've been warned about? The answer may redefine entertainment for generations to come. (Word count: 1,128)
Read the Full The New York Times Article at:
[ https://www.nytimes.com/2025/07/18/arts/television/netflix-ai-eternaut.html ]